What began as recollection soon became revelation. The Universe in an Eye (Working Title) emerged not merely as a record of memory, but as a study in perception, a reflection on how the outer world and the inner one constantly trade places. The city became a mirror: of youth and departure, of longing and return, of time’s strange elasticity.

From there, Aeternum Fluvium in Motu, The Eternal River in Motion, grew as a continuation of that current, exploring the fluid nature of consciousness and the invisible threads that bind experience together. These writings move between philosophy and memoir, prose and poetry, the personal and the universal.

Through them, I have come to see writing as a kind of spiritual architecture, a way of tracing the invisible design of one’s own becoming. Each sentence is a ripple, each image a reflection of something greater moving beneath.

What began as a return to a city became a return to self. What started as memory became motion, an unending flow toward understanding, meaning, and the quiet, luminous center of things.